Tag Archives: Pete Thomas

Mystery of Costello’s Cornish studio solved

19 Sep
Roche's Studio1

Roche’s Studio in 1976 (www.kernowbeat.co.uk)

It was a small, converted farmhouse in the Cornish countryside near St Austell, used mainly by local bands. But in the summer of 1977, its recording desk was busy capturing the oncoming new wave – and now the mystery location can be revealed.

Stiff Records had sent Elvis Costello, its red-hot property, on a mission: to rehearse and bond with his newly-assembled group and perform some low-key gigs. A friend of co-label-owner Jake Riviera’s offered to put them up in Camelford and permission was acquired for them to practice at the parish hall in nearby Davidstow [see previous blog]. The foursome would also perform two shows. On Thursday 14 July they supported US trash punk band Wayne County & The Electric Chairs at The Gardens in Penzance, and the following night they played at Woods Leisure Centre in Plymouth, described by one journalist who was there as a “bizarre meat market of a club”.

Costello’s sojourn to Cornwall only weeks after giving up his job as a computer operator at the Elizabeth Arden “vanity factory” has been well documented. One or two journalists witnessed the shows and their reviews provide a fascinating insight into these nascent appearances by the band. Original adverts for the shows have also survived. However, little or nothing is known about the recording session that also took place that week – including the location of the studio. Until now.

The studio in question was Roche’s at Bawdens Far, Tremodrett, near St Austell. Gerry Gill, a DJ, MC and songwriter who had been a face on the underground scene in London in the late Sixties, established it in early 1975 and, very quickly, bands from Devon and Cornwall flocked to it.

Roche's Studio, Cornwall

Inside Roche’s Studio (www.kernowbeat.co.uk)

By 1977, Gill had expanded the facilities and through his connections with Hawkwind, whose lightshow he had run, he brought in band member Martin Griffin to help run things. As Griffin own contacts in London included Jake Riviera, it was for that reason that Stiff’s great white hope was booked in to record at this most rustic of studios.

“Jake had sent us down a copy of the first EP with Alison on it,” says Griffin. “My mate Simon Fraser was very impressed by the songs and knew this guy could write good songs.”

Costello’s official website states that on 16 July – the day after the gig in Plymouth – they went into a small studio to “re-record My Aim Is True”. Dave Robinson and Jake Riviera’s plan was to substitute the Attractions’ fresh recording of the album once copies of the original Costello had made with American bar band Clover had sold out. The record was never officially released, although at the time a British paper reported it was due to be issued in America.

Griffin doesn’t recall what songs were recorded, but he well remembers that summer session taking place. An advance party which was sent to the studio had a “strong Graham Parker factor” and it transpired that the band had “had some aggro with the locals, so they were slightly less keen on Cornwall than when they came down first.”

As for the session, he was not only impressed with Costello’s songs, but the technical abilities of his group. “Pete Thomas was an engineer’s dream,” says Griffin. “His drums are so perfectly in tune with each other. Bruce [Thomas] had been in Quiver.”

Many of the recording sessions made at Roche’s were later buried in the ground after they became water-damaged. However, he says the tapes containing the Costello session were never kept by the studio and instead “went back to Jake”.

Bassist Bruce Thomas cannot remember precisely what tracks were recorded that day, although he believes Crawling To The USA might have been one of them. Entertainingly, he did recall something of the the local trouble the band had during their stay.

Thomas says: “I think there was a bit of a run-in with a guy who worked at a chicken farm. The guy had spent so long slitting the throats of chickens he compensated by walking around with a peculiar pecking movement of the head. It was hard not to take the piss.”
So the question remains, has this historic studio recording of Elvis Costello & The Attractions survived and will it ever be released? Costello fans around the world would surely love to hear it.
You can read more about Roche’s Studio at www.kernowbeat.co.uk/roche.html
My thanks to Martin Griffin and Bruce Thomas for their assistance.

Elvis and his band go live!

1 Jun
With Gregg Geller and EC - 12.77 end of tour party NYC

End of tour party at Ukrainian Ballroom, New York. L-R: Eileen Schneider (Columbia press), Gregg Geller (A&R) Columbia Records, Hope Antman (head of Columbia press), Elvis, Dick Wingate (EC’s product/marketing manager at Columbia). Pic courtesy of Dick Wingate.

Excerpt from Be Stiff: The Stiff Records Story

The raw power of this new group was unleashed for the first time on Thursday 14 July at The Garden, ‘The South West’s Top Rock Centre’, in Penzance. For just £1, those who were there got to see the historic first public performance by Elvis Costello and his new band. Headlining was sometime cross-dressing American punk Wayne County (later Jayne County) and The Electric Chairs, who were just months away from releasing their fabulously trashy 45 (If You Don’t Want To Fuck Me Baby) Fuck Off. Staff from Alexander Street had made the long trek to catch the showcase gig, crammed into a van and sitting on furniture they had brought from the office. Some of them had to restrain holidaymaker Captain Sensible from leaping on the stage mid-set to jam with Costello and crew. “The whole idea was ‘destroy’,” comments Pete Thomas. “It was all about going on stage and flattening people. Costello was Mr Angry. I don’t think he was really. I think it was sort of expected. In retrospect, he is a really clever bloke and he’d dropped it. ‘Right, we’ve got The Jam, we’ve got the Sex Pistols, we’ve got The Clash. We can fit into this.” Adds Bruce Thomas: “He [Wayne County] was going, ‘Who are you guys?’ and we said, ‘This is our first gig’, and he said, ‘Fuck!’.”